Daniel Swenberg theorbo & lute

Helicon Performances

Symposium 103 - “Gloria and Furore” Music of the Italian Baroque
25th Anniversary Celebration
Symposium 85 - Biber

Lutenist Daniel Swenberg concentrates on Renaissance and Baroque performance practices--with special devotion to the role of basso-continuo playing and the instruments central to its practice: the theorbo/chitaronne, renaissance and baroque lutes, early guitars, and the gallizona/callichon.

He works regularly with ensembles: ARTEK, REBEL, Visceral Reaction, The New York Collegium, The Metropolitan Opera, the Canadian Opera Company, Staatstheater Stuttgart, New York City Opera, the Mark Morris Dance Group, Stadtstheater Klagenfurt,Tafelmusik, Opera Atelier, Les Violons du Roy, Piffaro, Spiritus Collective, Les Voix Baroques, Musica Pacifica, the Sejong Soloists, Les Voix Baroques, Apollo's Fire, and Lizzy and the Theorboys.

Recently, he has accompanied Renee Fleming at the MET, Carnegie Hall, and on Live from Lincoln Center, with the Mostly Mozart Festival, and was on staff at the inauguration of the Aspen Music Festival's baroque mini-festival.

He has received awards from the Belgian American Educational Foundation (2000) for a study of 18th-century chamber music for the lute, and a Fulbright Scholarship (1997) to study in Bremen, Germany with Stephen Stubbs and Andrew Lawrence King, at the Hochschule fuer Kuenste.

He studied previously with Pat O'Brien at Mannes College of Music (New York City), receiving a Masters Degree in Historical Performance-Lute. Prior to his concentration on lutes, he studied Musicology at Washington University (St. Louis) and received a B.M. in classical guitar from the North Carolina School of the Arts.